Showing posts with label LM-1. Show all posts
Showing posts with label LM-1. Show all posts

Friday, May 27, 2016

LM-1 Bookshelf Complete Part List

The part list for the LM-1 Bbookshelf Version is here. The only things missing is wiring and crimp connectors as well as adhesives and circuit board surfaces.

In the US Parts Express usually has all of these parts, especially the hardware but Madisound often has better driver prices. For the crossover parts I buy a lot of Mundorf MKP, Mills and Clarity ESA caps so I tend to buy most of those from Parts Connexion except for the Jantzen coils which always come from Parts Express.

For a detailed discussion about the crossover components and drivers please see the blog entry titled LM-1 Bookshelf Crossover.

Update: August 13, 2017: The Denovo flat-pack cabinets are about $50/pair vs. $190/pair for the Dayton cherry cabinets. The Denovo is about 1/2" shorter so plan on squeezing the woofer and tweeter together a little more.This should have a minimal effect on the final response. You may also wish to turn the woofer's around 90 degrees so the truncated edges are closer to the tweeter and bottom.


NamePart TypeValueSecondary ValuePer SpeakerPer Pair
C1,C3Capacitor8.2
24
C2Capacitor18
12
C4Capacitor1
12






L1Inductor0.4418 ga.12
L2Inductor1.215 ga.12






R1Resistor3.912 W12
R2Resistor1.212 W12
R3Resistor1012 W12






S1TweeterVifaXT25BG60-041
S2WooferPeerless8309911







CabinetDaytonTW-0.25 or TWC-0.25(Comes in pairs)1







Bass Port1.5"4" long12

Banana Terminals

(Comes in pairs)1







Acousta-Stuff


1 lb.

Sonic Barrier3/4"3-layer
1 Sheet



If you decide to make your own cabinet, you MUST maintain the baffle dimensions of 190.5mm x 304.8mm or 7.5" x 12" AND you must ensure the internal volume is at least 0.28 cubic feet.  The internal volume can be up to around 0.35 cubic feet, so don't sweat that so much.

Tuesday, May 24, 2016

LM-1 Bookshelf Crossover

Schematic

The schematic along with the driver simulation data is available in the form of an XSim file you can find in this discussion. Feel free to explore this design and it's choices. 

At this point in the exploration, I've completed the final draft of the speaker schematic. Having a little more time and energy I was able to get better measurements and re-think the crossover entirely. The final schematic is very simple and uses only nine crossover components.

In the end I used nearly symmetrical second order filters for both sections. The tweeter's -6 dB filter point is right at 2kHz but the woofer is rolled off a little earlier, around 1.5kHz. 

Let's take a look at the "transfer function" chart, or as XSim calls it, the "electrical response" chart. This plots the difference between the amplifier and each driver and shows us what our filter choices are doing electrically. Remember that these effects are additive to the drivers, they are never independent of the driver response or impedance.

As  you might expect, it's pretty simple. The woofer has no change up until around 700 Hz where the low pass filter begins. The super straight line is partly due to the zobel. Notice however that the tweeter level is significantly lower, about 6 dB below. That's because it's much more efficient, and we needed the R1 to bring it down.  The ripple you see in the tweeter slope is due to the tweeter's own impedance interacting with the high pass filter.

Tweeter Level

In the chart below the blue trace represents using the recommended 4.2 Ohm resistor. The red trace shows the effects of using an 0.5 Ohm resistor. The point of showing both of these lines is that you may substitute any resistor between 0.5 Ohms up to 5 Ohms while still maintaining excellent phase matching, so make yourself happy! 


Zobel Network

C3/C4 and R3 are a Zobel network which of course not only smooths out the frequency response of the woofer but in this case also allows for near perfect phase matching with the tweeter.  In a pinch, any combined value of C3 and C4 between around 8.4 and 9.4 will work, but 9.2uF is the optimal value.

Acoustic Distance

The acoustic center of the woofer and tweeter are offset by only 1.1". The small 5 1/4" driver is shallower than the 6 1/2" equivalent plus we are surface mounting it, pushing the woofer towards the listener. Thanks to this combination we have really struck crossover gold in terms of phase matching. A quarter inch the other way and this simple design would have turned out much more difficult.

Part Selection

For your convenience, a Complete Parts List is in another page, but here we discuss choices for the drivers and crossover components here.

Drivers

As with Kirk's design, I'll be using Vifa tweeters and Peerless woofers:
  • Vifa XT25BG60-04 1" Dual Ring Radiator Tweeter, $35. Please do not attempt to use the smaller, and only slightly less expensive Vifa XT25TG30-04, it lacks the low-end extension. This driver is also sold for more money under the Scanspeak brand. If you think you spy the tweeter in some megabucks speakers, you aren't wrong. It's the same unit, or often the next model down from this one.
  • Peerless 830991 5-1/4" GFC Cone HDS Woofer $35-$45
The $45 fiberglass driver could be inexactly substituted by the the Peerless 830656 paper cone woofer which cost around $20 each. In combination with the cheapest possible crossover capacitors you will get to around a $400 price point. Of course, the biggest savings is to build the cabinets yourself.

Crossover Components

I present a few different crossover grades below. Regardless of the choice of crossover caps and resistors I always recommend Jantzen air coil as the starting point. L1 should be 18 gauge, L2 should be 15 gauge. Do not use a bigger gauge coil on L2! The temptation is there, but the DCR is part of the design. If you must "mod" the coils, use a small-guage foil coil for L2 such as the Goertz 16 guage 1.2 mH coil available at Madisound or any other coil with a DCR between 0.330 and 0.4 Ohms.

Cheapest Possible

To stick with an absolute bargain build, use with Bennic caps and Dayton audio grade non-inductive resistors. 10W is close enough if they don't have 12W. You could save a few more bucks ($10 total) by using bi-polar electrolytic capacitors in the woofer, but please don't.

Frugal Freddie's Compromises

If you want to spend just a little more, I suggest Mundorf MKP ($8) for the 8.2uF cap in the tweeter section. Use Mills resistors. Audyn and Jantzen are also highly thought of.

Balanced Betty

Betty buys parts that are matched by the price and quality of the drivers. She would suggest Clarity ESA cap in the tweeter section of if you want to stay with all Mundorfs, the Mundorf EVO Aluminum in Oil. Either should be under $20.

Stick with Mills resistors everywhere, and Mundorf MKP caps in the woofer section.To keep costs down she might choose Axon caps in the woofer though.

To the left you can see my own build. I ended up using Clarity for the tweeter, along with mostly Axon caps in the woofer section. To make a boring story short, I happened to have 7.5uF Axon's lying around, so I got 1.8uF Mundorfs to make up the Zobel. All resistors are Mills.

The savvy builder will note that the coils are aligned in the same Z axis. Not to worry, the boards themselves will be mounted at 90 degree angles! One on the bottom of the speaker and the other on the side. 

The "OMG Are you nuts?" Build

Use Jupiter copper film caps for the tweeter. Capacitor cost? About $800 per pair of speakers. Hate your kid? Does he/she have an overripe  college fund? Do it!  OK, I'm kidding, it's completely out of balance. Save this kind of money for your $300 or more tweeters.


Please feel free to experiment with parts you like, can afford, and have available. These are just my personal recommendations. If you find caps you think work really well leave me a comment.

The Scientist Build

This speaker lends itself very well to learning about the sound of capacitors. The reason is the very high quality tweeter and that it uses a single capacitor. If you like the idea of experimenting with capacitors yourself, I'd suggest you wire the crossover so that the tweeter cap is external. Add a second set of banana jacks on the rear, spaced about 2-3" apart and connect the tweeter capacitor there. Now you have a very convenient experimentation lab which would allow you to swap capacitors or add small bypass caps instantly.

Driver Phase Matching

"Phase matching" refers to how well two drivers play together across the band in which they both  contribut. I usually use the -20dB level as my cut-off (more or less). You can see in the chart below that this is about 700 Hz to 3kHz. That's actually a pretty broad range brought about by the low crossover slopes. Still, notice that wihin this range the dotted red and green phase lines are so close together.

We can also see that the phase alignment where they cross 180 degrees is perfect. The longer the phase angles match the more the drivers will blend in with each other and disappear. Here's another view of that effect. Let's compare the normal response with an inverted driver (either one). In theory this is the absolute worst possible alignment:


Not only do we have a 20 dB dip at the crossover frequency, but look at how symmetrical and broad it is. Again, that the inverted driver produces this text-book null indicates the LM-1 have excellent phase matching before, during and after the crossover region. This will allow the drivers to blend in, minimize lobing and comb-filtering as the listeners location changes.

LM-1 Bookshelf Measurements

My Little Soapbox

The industry, commercial and DIY, has gone to trying to use purely theoretical environments to judge their driver and speaker performance with the idea that building an environmentally neutral speaker will make it suitable anywhere. Part of this is not just what's best, but also what's most convenient, and more marketable. And honestly you can be very successful this way.

Still, like Alison, I do not believe this to always be the best way to approach speaker design. My evidence is how many "bookshelf" speakers have become stand-mounts.  The LM-1 was tailor made for music lovers with modest listening rooms and small budgets, so these measurements and methods are completely suitable and accurate for their intended purpose.

Frequency Response

Allow me to present the simulated vs. actual response. The blue line represents the simulated response, the green line is the raw far-field, 1/6th octave response of the entire speaker placed so the front baffle just overhangs a 16" wide bookshelf.


The level is offset for clarity. When overlaid, the two graphs are in almost complete agreement.The simulation used close-microphone techniques to eliminate the reflections which plague us during crossover design. The green line however was taken at 3'.

What was not expected in this design is the dip between the port and driver around 74 Hz. None of the box simulations show this. The port's actual tuning frequency is "too low." Others may call this a happy accident though, as this brings the bookshelf/desktop response to.... (wait for it!) 40 Hz in exchange for the dip at 70 Hz.

You may also notice that the curve slopes downward, which is a good thing and shows the LM-1 closely matches the famous Bruell and Kjaer target curves.

Efficiency

As a result of carefully matching the speakers to their environment, we've come up with some pretty sensitive (for small) speakers, around 88 dB /2.83V at 1 meter. That's quite nice. Not in the range of horns, but small speakers like this usually really can't get such a good result. Note that part of this is that my drivers measured more sensitive than spec in the bookshelf, around 89 dB, and that the crossover excludes most baffle-step compensation.

Had we designed this blindly adding baffle-step compensation we would have ended up with a pair of speakers that were boomy, much less sensitive (83 dB or so) when placed in a bookshelf. Conversely, if we had tried to use this woofer in a stand mount we would never have this much bass. We would probably loose at least an octave.

Impedance

This is a very easy to drive speaker. The impedance stays well away from 4 Ohms at all frequencies and in fact stays closer to 6 Ohms for most of the plot. I would easily call this an 8 Ohm speaker based on this and how commercial speakers are rated. Here we have the simulated impedance charts for both versions of the speaker. The green line is of course the ported version:


These are just simulations, but the actual Z is very very close. I'll try to post them before 2017, but no promises.


Notice also the impedance below 200 Hz  stays above 8 Ohms! Oh my Dark Goddess of Espresso Coffee Beans, this is a dream speaker for most amplifiers. You could practically drive them from an iPod. Any receiver or integrated amp will be absolutely over-joyed to play these speakers.

Raw Files

The XSim files are available, letting you play with the crossover design yourself. Please join us at the DIY forums here.

Step Response

I don't have any tools right now to allow me to measure the step response, but I can simulate it using XSim. It's perfect for a 2-way that is not time aligned. The tweeter starts in a positive direction with just a touch of pre-ringing, and the bottom of it's response blends seamlessly into the rise of the wide-bandwidth woofer whose output is almost perfectly triangular. Outstanding!!




Conclusion

We have gotten really fortunate. In addition to the frequency response, it's very difficult to find a speaker with such flat response, low cut-off frequency (55 Hz-ish), high impedance, high sensitivity and fantastic phase matching across the crossover region. Usually we have to give one or more of these items up. Except for the limited output, these may be the best inexpensive full-range (kind of), high-end loudspeakers you can make yourself.

Thursday, May 19, 2016

LM-1 Measurement Tools

The designs I present as part of the LM series don't need any of the measurement tools here.  You can buy the parts, cut the holes and solder the crossovers without them.  What I'll be doing with these tools is showing the entire design process so that those who are interested can go on and create their own designs. Much like Dr. Leach did for me in enabling me to think and understand processes that were completely opaque to me before I sat in his class, I hope I can do for a few of you.

In the 21st century the DIY builder has access to buying or downloading tools that only graduate students or professionals in the audio or car industry had in the 1980's. We'll take full advantage of modern tools and while I'll point out some free tools, I'm pretty set in my ways with the inexpensive commercial tools I use. However the steps and processes won't change much regardless of what measurement tools you use.  The primary measurement and analysis tools we'll use are:


You can save $50 by buying OmniMic and DATS together via the Parts Express website. Free alternatives to OmniMic include Room EQ Wizard and others but I'm afraid I don't know much about how to use them. Of course, even if the software is free you'll need a decent microphone. At about $20 the Dayton iMM-6 is pretty much the cheapest there is.

XSim is just an amazingly accurate simulator, allowing you to try alternatives in seconds what before would have taken real hands on experimentation. We'll take the outputs from OmniMic and DATS to analyze our design from start to finish. When we're satisfied then we'll order crossover parts.