Wednesday, November 26, 2025

Stereophile and Equivalent Peak Device Resistance

EPDR is Not What I thought

EPDR is Not What I thought

Author

Erik Squires

EPDR and Stereophile

In 2007 Keith Howard coined the concept of Equivalent Peak Dissipation Resistance in his article Heavy Load: How Loudpeakers Torture Amplifiers. The idea of EPDR is to help readers understand more about a speaker and how hard it is to drive. Howard writes:

But for a magazine audience, the principal interest in a loudspeaker’s load impedance lies in gaining some indication of its compatibility with a given amplifier.

The rest of the article needs very careful reading, because to many readers it sounds like he’s saying this is a better impedance measurement, but he never actually proves that. He weaves together a lot of charts, and even contradictory data from Otala:

That was left to others to check, and their results suggest that [sigh of relief] this is not a phenomenon with any practical relevance. That is what Dolby Labs’ Eric Benjamin found when he investigated the issue in 1994 (footnote 3). It’s what I found, too, when I unwittingly reprised some of Benjamin’s work in 2005 (footnote 4), albeit using a software-analysis approach rather than an oscilloscope. While in this context you can’t prove a negative—there is always the possibility that some pieces of music will contain just the waveform necessary for a particular speaker to demonstrate the Otala effect—the available evidence suggests that this probably occurs extremely rarely, if at all.

but then Howard turns the ship around, after saying this isn’t important:

No, the problem with conventional impedance measurements lies not in the measurement method itself but the way in which its results are presented.

He then goes onto use Benjamin’s work with a lot of graphs, but this part is key: He labels the charts as showing equivalent dissipation, or rather how much heat will a typical linear amplifier produce. This is not a measure of how a speaker’s output will vary but how hot the amplifier will get. The “D” in EPDR stands for dissipation. This means heat at the transistor on the amplifier.

In personal correspondence with Jack Oclee-Brown (JOB) (Nobember 24, 2025) he gives the single useful feature of EPDR:

This is the usefulness of EPDR because it tells you if one speaker is more likely to trigger Safe Operating Area protection (to clip) than another.

Based on all the math from Benjamin, and JOB’s own work, I want to make this point clear, that EPDR has NOTHING to do with how well an amplifier can drive a speaker load, or how well the speaker sounds. It is only about how much heat the amplifier’s output devices will generate when driving that speaker, and why it may clip early. Of course, an amplifier that clips will distort and sound terrible, but that’s a different set of problems than the audiophile and speaker measurment community thinks it is.

This is important for me to make clear because the understanding in the layman audio community is that EDPR is a better way to understand how an amp may sag under normal operating conditions, and therefore alter it’s output.

While I can find no fault with JOB’s math, I also find Howard’s idea of converting Z and phase angle into an equivalent resistive load to be of limited usefulness. If I were designing amplifiers, I would want to know the actual power dissipation across my output devices, not some made up equivalent resistance, and that formula is simple and straightforward. The conversion to an equivalent resistance appears to be showmanship.

Hard to Drive Speakers

In the typical parlance of audiophiles, a hard to drive speaker is one with unusually low impedance and / or phase angles. The reason for this has to do with how voltage is divided between the amplifier’s output, and the speaker. Without using complex math, here’s the basic voltage divider formula. We’ll use R (resistance) instead of Z (impedance) to keep things simple. Let \(V_{out}\) be the amplifier’s attempted output and \(V_{spkr}\) be the voltage that actually makes it to the speaker terminals:

\[ V_{spkr} = V_{out} * \frac{R_{spkr}}{R_{amp} + R_{spkr}} \]

Consider with a very good amplifier the amplifier’s output impedance ( \(R_{amp}\) )is very low, so if \(R_{amp} = 0\) therefore \(V_{spkr} = V_{out}\) because the right side becomes equal to 1. This is ideal, and the electrical output remains constant regardless of frequency. However, as \(R_{amp}\) rises and/or \(R_{spkr}\) drops, \(V_{out}\) starts to go along with the impedance curve, which can be a roller coaster. This is why tube amps don’t do so well with electrostatic speakers and their 1 Ohm loads in the treble, or really any speaker with < 4 Ohm areas.

Here’s the fundamental problem with EPDR : None of the formulas involved address the amplifier’s output impedance, or peak current delivery or anything else related to the voltage and current at the speaker terminals. The value and derivation of EPDR is entirely about transistor heat. Howard never crosses the line to claim it isn’t about heat, but he also tries to use this understanding as another, better impedance measurement, and it can’t be. And this is where the confusion has come from. JOB’s point however that EPDR can help understand which speaker is more likely to cause an amplifier to clip is valid. How many times have you heard an amp actually disconnect due to overheating however?

In addition to the problem of using a measurement in a way it doesn’t seem to be intended for, there’s also the question of exactly which formula is being used. There are at least three different versions of EPDR calculators out in the wild:

Of all of these I could not find any direct evidence of the actual formula’s used, however we’ll discuss Jack Oclee-Brown’s derivations later below, which seem to be close to what VituixCAD is using. It may be what Room EQ Wizard uses, we have no idea.

Another thing to note is that an amplifier’s output impedance is the end result of the power supply, output stages and feedback design.

Damping Factor

Quickly, amplifiers rarely publish or measure output impedance, but instead publish “damping factor.” It’s calculation is \(DF = 8 / R_{amp}\)

So an amplifier with a DF of 100 has an output impedance of 0.08. Important to note that DF is usually reported in the bass but is often lower (higher R) in the treble.

Foundation

The underlying principle of EPDR, as Howard notes, is a paper by Eric Benjamin: “Audio Power Amplifiers for Loudspeaker Loads,” JAES, Vol.42 No.9, September 1994. The paper is copyrighted and paywalled, but fortunately formulas cannot be copyrighted, so we can walk through Benjamin’s ideas. Benjamin doesn’t directly publish a formula for EPDR. That’s not actually his goal. Benjamin’s paper is about power dissipation across devices in Class B amplifiers. In other words, he wants to know how much a transistor will heat up by calculating the Watts dissipated based on the load impedance.

Safe Operating Area

The safe operating area for a transistor in terms of power has instant and average components. Exceeding the peak power for microseconds (Formula 4) can destroy a transistor, as can exceeding the average power (Formulas 6 and 7) for extended periods of time.

The point that I want my readers to understand is that Benjamin’s goal, and formulas are to calculate power dissipation in the output devices of an amplifier. He is not trying to create a new impedance measurement for speakers, and is definitely not saying “the speaker will sound different because of this.” If anything, this is about heat sinks, and cooling. Even if you barely understand formulas, the term on the left of all three formulas is \(P_{d}\), power across a device, meaning a transistor. Power across a device is power that must be dissipated or let off as heat.

Instant Power Dissipation

I don’t want to make light of Benjamin’s work, but the three Benjamin formulas (4, 6, 7) involved which Howard probably uses as a foundation would be relatively simple for an electrical engineer to derive. The real value of Benjamin’s paper is in forcing EEs to think outside of the box when designing the thermal/power envelope of linear amplifiers. We’ll start with the instantaneous device dissipation formula (4):

\[ P_{d}(\theta) = (V_{s} - V_{0} \sin \theta)\left(\frac{V_{0}}{|Z_{l}|} \sin(\theta + \phi) \right) \]

Where \(V_{s}\) is the supply voltage, \(V_{0}\) is the output voltage amplitude, \(Z_{l}\) is the load impedance, \(\phi\) is the load phase angle, and \(\theta\) is the instantaneous angle of the output waveform.

Average Power Dissipation

Benjamin then integrates this over the input signal’s conduction angle to get average power dissipation (Formula 6 and 7). The end results are two formulas for power dissipation based on phase angle of the load, one for phase angles less than 50 degrees (6), and one for phase angles greater than 50 degrees (7).

Formula 6 if \(|\phi| \leq 50^\circ\) then:

\[ P_{d} = \frac{2 V_{ss}^{2}}{\pi^{2} |Z| \cos\phi} \]

Formula 7 if \(|\phi| > 50^\circ\) then:

\[ P_{d} = \frac{V_{ss}^{2}}{2|Z_{mag}|} * \left(\frac{4}{\pi} - \cos(\phi) \right) \]

Derivations

Based on Benjamin’s work, there are two paths to equivalent disspation resistance. One is average, which we do here, and another which is peak dissipation, which we’ll use JOB’s formula for.

Equivalent Average Dissipation Resistance

We’ll explain EADP (which we may have invented here) because it’s a simple way to go from power to equivalent resistance.

The idea is to find an equivalent resistive load that would dissipate the same power as the complex load. In other words, if we had a purely resistive load \(R_{eq}\), what value of \(R_{eq}\) would dissipate the same power as our complex load \(Z_{l}\) with phase angle \(\phi\)

The formula requires a 2 step process. First we calculate a token value for power dissipated given the load, and phase angle, then we calculate what resistance would cause the same amount of power dissipation. I say token because for our case, we don’t actually care about actual power, we care about what would be equivalent resistance. So whether we calculate in the range of 0 to 1 watt, or thousands of watts, it doesn’t matter. If you were making an amplifier and trying to understand heat sink requirements you would care and would not use these formulas as-is.

We first calculate the dissipated power, P, from (6) or (7) based on the phase angle. Then we set this equal to the power dissipated by a resistive load:

\[ \text{EPDR} = \frac{2V^{2}}{\pi^{2} * P} \]

For our use, V doesn’t matter, set it to 10 or any other positive constant for all your calculations. Below is the R code which expresses Benjamin’s two formulas and our own EPDR calculator. Hopefully they will help you translate to your language of choice or even a spreadsheet.

# Benjamin's device dissipation formula. 
# This is written for easier use with vectors in R 
dev_power <- function (Zmag, phase_deg, V=10) {
  phi <- abs(phase_deg) * pi / 180
  
  # Go ahead and calculate both formulas, 6 and 7
  P6 <- (2 * V^2) / (pi^2 * Zmag * cos(phi))
  P7 <- (V^2 / (2*Zmag)) * ((4/pi) - cos(phi))

  # Return either P6 or P7 based on phase angle
  ifelse(abs(phase_deg) < 50, P6, P7)
}

# Calculate EPDR
epdr_from_dev_power <- function(Zmag, phase_deg, V=10) {
  # Calculate some sample power dissipation
  P <- dev_power(Zmag, phase_deg)
  
  # Now we calculate what resitor would give the equivalent as returned, above
  EPDR <- 2 * V^2 / (pi^2 * P)
  return(EPDR)
}

Equivalent Peak Dissipation Resistance and it’s Derivations

So, how does EADR compare to VituixCAD, Stereophile or Jack Oclee-Brown’s? It overestimate EPDR by a significant amount, and here’s where things get interesting. As JOB was kind enough to point out, what we were calculating, above was actually Equivalent Average Dissipation Resistance.

We are aware of two independent derivations of EDPR, one by JOB and a simplified model used by Stereophile.

EPDR by Stereophile

A DIY poster named cjlan01 posted his notes from an interaction wiht John Atkinson at Stereophile. If this is true then the Stereophile formula is:

\[ V_{diss} = 1 + 4.2 * |\phi|/90 \] \[ EPDR = Z_{mag} / V_{diss} \] To be clear, this is a linear approximation, but JOB provides a precise answer.

EPDR by Jack Oclee-Brown

JOB published his notes in a post at Audio Science Review.

JOB further wrote to us and says:

Stereophile use Excel to calculate EPDR and use a simplified version of the formula I derived (I guess they thought that was “good enough” and certaiinly much easier to type into Excel). More info here:

We understand that JOB was a principal engineer at KEF. Looking at JOB’s PDF, he independently derives a formula for EPDR that is based on peak device dissipation. JOB’s formula (25), simplified, is as follows:

\[ \text{EPDR} = \frac{|Z|}{4\, \bigl( 1 - \sin\!\left( \tfrac{5\pi}{6} + \tfrac{2}{3}|\phi| \right) \bigr) \sin\!\left( \tfrac{5\pi}{6} - \tfrac{1}{3}|\phi| \right) } \]

We think the results are similar to what VituixCAD is offering, but again, JOB’s derivation, accurate or not, doesn’t tell us a damn thing about how well an amplifier’s voltage output behaves when confronted with a difficult speaker load. If this is derived from Benjamin’s formula 4, then it’s about how hot the output devices would get, not how well the speaker sounds or how well the amplifier can drive it.

Which is Which?

At best, estimating from impedance curves and phase angle charts, JOB’s numbers are a close to Stereophile’s. We believe based on testing that VituixCAD is using JOB’s formula, or something very close to it.

Which would Benjamin Use?

To be clear, Eric Benjamin never published a definitive EPDR formula, he didn’t need to. If I was making an amplifier, or buying an amplifier for a difficult speaker load, I would want to know the actual power dissipation across my output devices, not some made up equivalent resistance, and that formula is simple and straightforward.

Conclusion

We’ve walked through the publicly available sources (and sometimes not so public) for how Equivalent Peak Dissipation Resistance came into existence. We’ve shown the original research were intended to help amplifier designers understand how much heat their output devices would generate when driving complex speaker loads. We’ve discussed how Howard’s article puts EPDR adjacent to impedance and phase angle charts, but never actually proves that EPDR is a better way to understand amplifier/speaker matching in terms of sound quality.

While we have shown why we believe Stereophile and JOB’s formulas differ, we have no evidence that any version of EPDR is a better way to examine amplifier/speaker matching than the old impedance and phase angle charts. None of the derivations or formulas have anything to do with how a speaker sounds, or how well an amplifier can drive a speaker. As far as we can tell EDPR and the formulas from which it is derived have nothing to do with voltage or current across a speaker input. At the very best, EDPR can help understand which speaker is more likely to cause an amplifier to enter protective shutdown due to activation of SOA circuits, if any.

In addition, if we were designing amplifiers I would want to know the power output (Benjamin formulas 4, 6 and 7) directly instead of an equivalent resistance, which is why the entire concept of equivalent resistance in this field seems of limited use.

We note that we are working in the realm of publicly available data we can find. We look forward to hearing from Stereophile or others if they have more information about the formulas they are using, and will undertake a swift online update and correction if pointed to better data than we have so far.

Sunday, November 23, 2025

Speaker Impedance vs. Equivalent Dissipation

Please note that this article is superseded by more research done here: Stereophile and Equivalent Peak Dissipation Resistance.  

We leave the original article below for history, and due to existing links, but we encourage you to read the article, above, first. 

What follows below was naive and needed more research.  In particular, I no longer believe EPDR helps the average audiophile do anything. 

Original article:  

Anyone who has spent time looking at Stereophile speaker reviews has become familiar with speaker phase and amplitude plots.  The idea behind showing a reader this is to let them know how difficult any given speaker might be to drive.  Whether a lightweight amp or big honking monoblock will be needed.  

Here's an Example of a very well behaved 2-way speaker from Totem Acoustics

 118TotS1fig1.jpg

We  can see the impedance never drops below 7 Ohms and the phase angle is for the most part pretty well behaved. 

In 2007 Stereophile writer Keith Howard introduced the concept of Equivalent Peak Dissipation Resistance (EPDR).   EPDR is a little convoluted.  The goal is to mathematically combine phase angle and impedance to come up with a new number expressing how hard the speaker will really be for an amplifier to maintain a consistent output across all frequencies.  Most people, including myself, would have a hard time really looking at the  graph above and synthesizing both amplitude and phase angle together. To solve this disconnect Howard introduced EPDR which calculates the peak (vs. RMS) current, and from that calculates what value resistor would cause that current flow.   I should point out of course that while Howard brings EPDR out into the world, it is based on work originally done by  E. Benjamin, "Audio Power Amplifiers for Loudspeaker Loads," JAES, Vol.42 No.9, September 1994.  I don't know for sure which formula Stereophile is using but in this article and in the future I'll use: 

1763931679983.png 

While the paper by Benjamin is copyright, a formula itself cannot be copyrighted. Sadly I do not know if this is Benjamin or Howard's formula, but rather that it seems to be correct. I do not always come up with the same answers that Stereophile does however.  My numbers are anywhere from 0.2 to 0.5 Ohms higher.   

EPDR allowed a whole new look into speaker designs and lets us see under the covers a little more.  Before Howard's article we were left entirely to our own listening experience to explain why some speakers were more "discerning" (a term that makes my skin crawl) of amplifiers, despite having what looked like benign speaker loads.  Independent of Howard's work I had started looking at speakers like the Focal Profile 918 to attempt to understand their convoluted crossovers and lo-and-behold I discovered excess parts which made me start to think the speakers were deliberately hard to drive.  I wrote about this elsewhere in more detail.

In this blog I want to show my readers what a normal speaker impedance looks like when translated to EPDR.  I'm going to use my own SNR-1.  A 2-way ported monitor.  The SNR-1 is a good choice because it's my own design I know the crossover and know there's nothing tricky involved and also I have the complete impedance and phase data in a file, something I can't get easily from Steroephile plots.  Whatever the delta is between the impedance and EPDR it comes as a result of my best efforts at crossover design with no attempt to make it any more difficult a speaker load than necessary.  Perhaps the worst choice in this respect was that I picked a 4 Ohm mid-woofer instead of the 8 Ohm to get more sensitivity out of it.   Otherwise, this is a boring crossover design.  Let's start by examining the impedance and phase as Stereophile would have seen it before 2007: 

 


This would be a credible 4 Ohm speaker.  Meaning, if I sold this at the store, calling it a 4 Ohm speaker would be totally honest.   Like Stereophile we include the phase magnitude along with the impedance.  

While Stereophile has been doing an excellent job of noting where EPDR deviates from the impedance it's hard to visualize, and most audiophiles don't have a chance to consider just how a "normal" speaker like the SNR-1 looks like in pure EPDR terms, so I've created a second chart.  Here we combine the normal impedance and equivalent EPDR values for the SNR-1:

 

As you can see, the difference with a normal, boring 2-way speaker is not major, but it does trend lower, and for a rather broad area.  Between 100 Hz and 400 Hz we can see that the EPDR is around 3 Ohms.  Maybe not a big deal, but if you hear softening in some frequencies with different amplifiers you now have a better idea of what is going on.  

The minimum Z of the SNR-1 is  3.9 Ohms, but the minium EPDR is 2.6 Ohms. 

With a normal speaker, Z and EPDR don't deviate too much.  EPDR does tend to be lower but not catastrophically so.  This to me is a good sign of an honest speaker design.  

Monday, November 10, 2025

RoonBridge Pi 5 Ubuntu 24 HDMI

Here's a fix that maybe 4 other people on earth will need.  I had this happen on Ubuntu 24.10, but it's quite possible if you attempt to install Roonbridge on 24.04 (LTS) you'll have the same issues, depending on exactly when you reboot.  To be honest, I'm not 100% sure of why the problem occurs.  I think it's a timing/race condition, but it could also just be bad code. The instructions below should fix things either way. 

Requirements: Ubuntu 24.x, RoonBridge 1.8 (build 1124 stable) and a Raspberry Pi 5. 

Symptoms:  After following installation instructions for RoonBridge playback via HDMI will cause Roon to skip through several tracks before saying "Too many errors." 

Cause: 

The issue has to do with the device description strings RAATServer caches in /var/roon/RAATServer/Settings.  Since a Pi 5 has 2 HDMI ports, you'll find at least 2 JSON files here named device_(some big string).json.  If you have a USB device connected you may find more, so be careful your files are HDMI related before editing.  In Ubuntu 24 you'll see the string vc4hdmi, which is how you can tell you aren't editing the wrong kind of file.  In any event, it's a simple edit once you know what the issue is.  

Here's the first version of my JSON:

 {"unique_id": "617c2b7a-8bf6-18d6-0243-1e918a7e673c", "external_config": {}, "output": {"name": "vc4-hdmi-1", "type": "alsa", "device": "hw:CARD=vc4hdmi1,DEV=0", "dsd_mode": "none"}, "volume": {"type": "alsa", "device": "hw:CARD=vc4hdmi1,DEV=0"}} 

The problem is the device name should be hdmi:CARD....  As I mentioned, in some cases this may already be correct and you don't need to change a thing. 

Fix: 

Make sure you have rebooted at least once after ALSA library installation.  

Just replace the hw: string highlighted above with hdmi: and you'll be playing 32 bit music through your HDMI port.  Here's a finished version: 

 {"unique_id": "617c2b7a-8bf6-18d6-0243-1e918a7e673c", "external_config": {}, "output": {"name": "vc4-hdmi-1", "type": "alsa", "device": "hdmi:CARD=vc4hdmi1,DEV=0", "dsd_mode": "none"}, "volume": {"type": "alsa", "device": "hdmi:CARD=vc4hdmi1,DEV=0"}}

  After these edits:

sudo systemctl restart roonbridge 

What happened: 

hw:CARD is the raw device name but hdmi:CARD is the ALSA virtual device.  The big issue is that RAATServer talks PCM but the raw device does not.  The raw device only talks IEC958.  In order to talk PCM (S16_LE, S24_LE, etc.) through HDMI the RAATServer should use the virtual device which has the built in PCM to IEC958 translation goodness. 

Since you have 2 HDMI devices you might as well fix both files now.   Once you make these changes you'll notice the Roon DSP features like upsampling become available. 

Why it happened: 

This is an error during RoonBridge installation storing the raw device name instead of the virtual device name.   It may be a race condition during installation, in the period between when the virtual devices get instantiated by the kernel and the RoonBridge scans the hardware or it could be bad installation code.  It's possible the "fix" is a change to the installation instructions, to explicitly reboot after installing ALSA but before installing RoonBridge.  I'll leave that up to Roon.

Alternative Installation Guide

As mentioned, a possible solution to this when installing a fresh Ubuntu 24 is to apt install alsa  and then do a reboot BEFORE installing RoonBridge.

The theory why this might work is that just installing ALSA doesn't instantiate the virtual devices.  That is, after apt install alsa the hdmi:CARD devies don't exist yet, because those get created each time the kernel starts up and not when the library is installed.  By rebooting post-ALSA installation the hdmi:CARD virtual devices should exist and therefore, hopefully, the RoonBridge install will see them.  If not, go through the steps above.   Note that this only works during installation.  What I do know is that once the device files are bad reboots alone won't fix the issue.

It's quite possible a number of Pi 5/Ubuntu/Roon users accidentally did this right, or somehow installed ALSA, rebooted and perhaps re-installed Roonbridge from scratch.  So for those people this bug wouldn't occur.   On the other hand, if you are trying to quickly stand up a minimum installation you really might not have.  In my case I rebooted after a full upgrade but before the ALSA libraries  were installed, so I suspect that's what kept things from working correctly. 

Future Proofing

As mentioned or implied, above, I'm not sure when these files get crated or recreated, but to be sure the hdmi:CARD devices exist before RoonBridge starts you'll need to add  an override to the RoonBridge service.   There seems to be a difference in the startup sequence between Ubuntu 24.04 and 24.10 so this may be particularly important in 24.10.  In any event, better safe than sorry.  Let's force RoonBridge to wait for audio and networking to be done before starting.  This way any future rewriting of these files by RoonBridge should hopefully happen in the right order. 

First:  

sudo systemctl edit roonbridge 

Add these lines: 

[Unit]
Description=RoonBridge
After=sound.target
After=network-online.target

 

Save and reboot.   This will ensure that RoonBridge always starts after sound.target and the network is on.  Hopefully then that means that future installations or updates will only recreate those JSON device files correctly.  Who knows, this may also solve issues about USB DACs being discovered by RoonBridge or not after a reboot.

You are welcome.